opera

THE HAUNTED MANOR is not only the most perfect work of Moniuszko from a musical standpoint, but also stands at the forefront of all Polish opera creations of the 19th century. The excellent construction of ensemble scenes, subtle yet colorful instrumentation, remarkable melodic invention, and captivating atmosphere of Polishness are indisputable qualities of this work.

 

Moniuszko completed his fifth opera shortly after the collapse of the January Uprising, so it's no wonder that it soon gained the reputation of a great patriotic manifestation. Shortly after the premiere, "The Haunted Manor" encountered censorship. The Russian authorities, fearing unrest, removed it from the playbill after three performances. This serves as evidence of how external circumstances can influence the fate of an opera - for although one can discern influences from the masterpieces of Fredro and Mickiewicz in the character portrayals, the whole is nothing more than a joyous, at times mocking, affirmation of provincial Polishness in the spirit of bel canto. Elements of folklore, numerous patriotic themes, and the atmosphere of a nobleman's manor make this work today recognized as the Polish national opera.